![]() The warmth of her vocals and the relative chilliness of the glitchy, cavernous production suggest the scope of the distance they need to breach. A deep, desperate bond with someone else, she stresses on “Forever,” might be the only bulwark against the “cruelty” and “scheming” of our mendacious times. “Kiss me while the world decays,” Thorn sings on the dubstep-haunted opener “Nothing Left to Lose,” and no other voice could brim so affectingly with anguish and urgency. It’s as fearful as Temperamental, but harbors none of its cynicism. “It’ll be out next spring.” She went out for dinner and returned to thousands of retweets.Ĭonsidering the circumstances of its creation, it’s not surprising that Fuse is an album that craves connection. They announced the finished album in similarly low-key fashion: “Just thought you’d like to know that Ben and I have made a new Everything But the Girl album,” Thorn tweeted. Once she persuaded Watt, they approached the project so tentatively that they hesitated to call it EBTG, crediting the song files to TREN-Tracey and Ben. After the pair lived through an extreme version of the pandemic that required them to stringently self-isolate owing to Watt’s illness, Thorn proposed a reboot of EBTG, worried that they might one day realize they had left it too late. Curiously, it returned during another period of alienation. While they offered each other practical creative assistance, their core collaboration was over. ![]() Watt founded the dance label Buzzin’ Fly and released solo music Thorn also made albums and wrote several brilliant books on her life in music and its inspirations. The band called it quits and dedicated themselves to home life, raising three kids. ![]() “‘We could have them back again’/Well I thought about the old days/They’ll go bad like they did then.” “And you say, ‘Think of the old days,’” Thorn sang on “ The Future of the Future (Stay Gold),” the swirling house collaboration with Deep Dish that closed the album. Its pessimistic lyrics spoke of alienation not just from other people, but from any sense of the past or the future. Temperamental, released in 1999, came after the unassuming British indie duo had balked at the fame sprung on them by Todd Terry’s remix of their 1994 track “ Missing,” which went on to define the club-spiked sound of the late-’90s and led to them declining an invitation to open for a U2 stadium tour. The last album that Everything But the Girl wrote together was equally transparent, although it spoke to a different strain of dissociation. When Ben Watt was diagnosed with a rare, life-threatening autoimmune disease, he made two albums with his wife, Tracey Thorn, that wore the couple’s trauma on their sleeves: Amplified Heart arrived in 1994 and Walking Wounded two years later.
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